1. Introduction Documentary Video Editing like Magnates Media
- Overview of Magnates Media Editing Style
- Importance of 3D Camera Motion in Documentary Video Editing
- Objective of the Article
WATCH THE VIDEO TUTORIAL IN HINDI LANGUAGE
2. Magnates Media Editing Breakdown
- Unique Elements of Magnates Media Editing
- Key Techniques and Styles
- Tools and Software Used
3. Understanding 3D Camera Motion
- Definition and Basics of 3D Camera Motion
- Applications in Video Editing
- Why It’s Essential for Magnates Media Style
4. Getting Started with After Effects
- Overview of Adobe After Effects
- Setting Up Your Workspace
- Basic Tools and Features
5. Creating 3D Camera Motion in After Effects
- Step-by-Step Tutorial
- Using Keyframes for 3D Motion
- Camera Settings and Adjustments
6. Advanced 3D Camera Techniques
- Depth of Field and Focus
- Camera Tracking and Stabilization
- Combining Multiple Camera Motions
7. Magnates Media Editing Style in Practice
- Practical Examples and Case Studies
- Breakdown of Popular Magnates Media Videos
- Applying Techniques to Your Own Projects
8. Adding Realism with Lighting and Shadows
- Importance of Lighting in 3D Camera Motion
- Creating Realistic Shadows
- Tips for Enhancing Visual Appeal
9. Integrating 3D Animation with Footage
- Combining 3D Elements with Live Footage
- Matching Movements and Angles
- Ensuring Seamless Integration
10. Rendering and Exporting Your Project
- Best Practices for Rendering
- Export Settings for Different Platforms
- Troubleshooting Common Issues
11. Tips and Tricks for Efficient Editing
- Time-Saving Techniques
- Common Pitfalls to Avoid
- Enhancing Workflow Efficiency
12. Personal Stories and Experiences
- Testimonials from Professional Editors
- Case Studies of Successful Projects
- Lessons Learned from Magnates Media
13. Expert Insights and Advice
- Tips from Industry Professionals
- Common Mistakes and How to Avoid Them
- Future Trends in Documentary Editing
14. Conclusion
- Summary of Key Points
- Encouragement to Practice and Experiment
- Final Thoughts and Call to Action
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Documentary Video Editing: How to Edit Like Magnates Media – 3D Camera Motion After Effects Tutorial
1. Introduction
Overview of Magnates Media Editing Style Magnates Media has become synonymous with high-quality, engaging documentary content. Their unique editing style, characterized by smooth transitions, dynamic camera movements, and immersive storytelling, sets them apart in the crowded digital space. Central to their approach is the use of 3D camera motion, a technique that brings a sense of depth and realism to their videos.
Importance of 3D Camera Motion in Documentary Video Editing 3D camera motion is not just a fancy trick; it's a powerful tool that enhances the viewer's experience by creating an illusion of depth and perspective. In documentary filmmaking, where storytelling is paramount, this technique can make a significant difference in how the narrative is perceived. It allows editors to guide the viewer's attention, create dramatic effects, and add a professional touch to the final product.
Objective of the Article This article aims to provide a comprehensive guide to editing like Magnates Media, focusing on the use of 3D camera motion in Adobe After Effects. Whether you're a seasoned editor or a beginner, this tutorial will equip you with the knowledge and skills to elevate your documentary editing to a new level.
2. Magnates Media Editing Breakdown
Unique Elements of Magnates Media Editing Magnates Media's editing style is characterized by several unique elements, including seamless transitions, dynamic camera angles, and meticulous attention to detail. Their videos often feature:
- Smooth, flowing camera movements that guide the viewer through the narrative.
- Creative use of 3D elements to add depth and dimension.
- Carefully crafted color grading and lighting effects.
- Precise timing and synchronization with audio elements.
Key Techniques and Styles The key techniques used by Magnates Media include:
- 3D Camera Motion: Creating an illusion of depth and space.
- Layered Transitions: Using multiple layers to create smooth transitions.
- Dynamic Cuts: Quick cuts that maintain the viewer's interest and pace.
- Color Grading: Enhancing the visual appeal with professional color correction.
Tools and Software Used Magnates Media primarily uses Adobe After Effects and Premiere Pro for their editing needs. These industry-standard tools provide the flexibility and power needed to create complex visual effects and professional-quality videos. Other tools that might be used include Photoshop for image editing and Audition for audio post-production.
3. Understanding 3D Camera Motion
Definition and Basics of 3D Camera Motion 3D camera motion involves creating the illusion that the camera is moving through a three-dimensional space. This can be achieved by manipulating the position, rotation, and scale of layers in After Effects. By doing so, editors can simulate camera movements such as dolly shots, pans, and zooms.
Applications in Video Editing 3D camera motion is widely used in various types of video editing, including:
- Documentaries: To create engaging intros and transitions.
- Corporate Videos: To add professionalism and polish.
- Music Videos: To synchronize visuals with music.
- Short Films: To enhance storytelling and visual appeal.
Why It’s Essential for Magnates Media Style For Magnates Media, 3D camera motion is essential because it adds a dynamic and immersive quality to their videos. It helps in creating a narrative flow and makes the content more engaging and visually appealing.
4. Getting Started with After Effects
Overview of Adobe After Effects Adobe After Effects is a powerful tool for creating motion graphics and visual effects. It allows editors to composite multiple layers, apply various effects, and create complex animations. Its flexibility and range of features make it an ideal choice for documentary editing.
Setting Up Your Workspace To get started, it's important to set up your workspace in After Effects. This involves:
- Organizing Your Project: Create folders for assets, compositions, and renders.
- Customizing Panels: Arrange panels for optimal workflow, such as the Timeline, Project, and Effects panels.
- Preferences and Settings: Adjust preferences to suit your editing style, including autosave settings and preview options.
Basic Tools and Features Familiarize yourself with the basic tools and features in After Effects, including:
- Timeline Panel: For sequencing and animating layers.
- Effects & Presets Panel: For applying visual effects.
- Layer Panel: For adjusting layer properties such as position, scale, and opacity.
- Preview Panel: For playing back your animations and effects.
5. Creating 3D Camera Motion in After Effects
Step-by-Step Tutorial Creating 3D camera motion in After Effects involves several steps:
- Create a New Composition: Set the resolution, frame rate, and duration.
- Add Layers: Import and arrange your video or image layers.
- Enable 3D for Layers: Check the 3D layer switch to enable 3D properties.
- Add a Camera Layer: Create a new camera layer to control the perspective.
- Animate the Camera: Use keyframes to animate the camera's position, rotation, and zoom.
Using Keyframes for 3D Motion Keyframes are essential for creating smooth animations. Place keyframes at different points in the timeline to define the start and end positions of the camera. After Effects will interpolate the motion between these keyframes, creating a smooth transition.
Camera Settings and Adjustments Adjust the camera settings to achieve the desired effect. Key settings include:
- Focal Length: Determines the camera's field of view.
- Aperture: Controls the depth of field.
- Focus Distance: Sets the distance at which objects are in focus.
6. Advanced 3D Camera Techniques
Depth of Field and Focus Adding depth of field to your 3D camera motion can create a more realistic and cinematic look. Adjust the aperture and focus distance to control which parts of the scene are in sharp focus and which are blurred.
Camera Tracking and Stabilization Camera tracking involves analyzing the motion of the camera in a shot and applying that motion to a 3D camera in After Effects. This can be used to add 3D elements to live-action footage. Stabilization can help smooth out shaky footage, making the camera motion appear more controlled and professional.
Combining Multiple Camera Motions For more complex scenes, you may need to combine multiple camera motions. This involves creating separate camera layers for different parts of the animation and blending their motions seamlessly.
7. Magnates Media Editing Style in Practice
Practical Examples and Case Studies To see Magnates Media's editing style in action, let's analyze some of their popular videos. Look for:
- Dynamic Intros: Notice the use of 3D camera motion to create engaging opening sequences.
- Smooth Transitions: Pay attention to how they transition between scenes using layered effects and camera movements.
- Creative Visual Effects: Observe the use of color grading, lighting, and other visual effects to enhance the narrative.
Breakdown of Popular Magnates Media Videos Break down the editing techniques used in specific videos, identifying key elements such as:
- Layered Compositions: How they use multiple layers to build complex scenes.
- Motion Graphics: Integration of text and graphics with video footage.
- Audio Synchronization: Timing of cuts and transitions with music and sound effects.
Applying Techniques to Your Own Projects Apply these techniques to your own projects by:
- Experimenting with Camera Motions: Try different camera movements to see what works best for your narrative.
- Using Layered Effects: Combine multiple effects to create unique transitions and visual styles.
- Practicing Timing: Synchronize your edits with audio elements to enhance the overall impact.
8. Adding Realism with Lighting and Shadows
Importance of Lighting in 3D Camera Motion Lighting plays a crucial role in creating a realistic 3D environment. Proper lighting can add depth, highlight key elements, and enhance the overall mood of the scene.
Creating Realistic Shadows To create realistic shadows in After Effects:
- Add Light Layers: Use different types of lights (e.g., point, spot, ambient) to illuminate the scene.
- Adjust Shadow Properties: Set shadow darkness, diffusion, and other properties to match the scene.
- Position Lights and Objects: Place lights and objects in a way that mimics natural light sources.
Tips for Enhancing Visual Appeal Enhance the visual appeal of your 3D camera motion by:
- Using Color Grading: Apply color correction to achieve a consistent look and feel.
- Adding Ambient Effects: Incorporate effects such as lens flares, glows, and particles.
- Fine-Tuning Details: Pay attention to small details like reflections, refractions, and textures.
9. Integrating 3D Animation with Footage
Combining 3D Elements with Live Footage Integrate 3D elements with live footage by:
- Matching Movements: Ensure that the movements of 3D elements match the camera motion in the live footage.
- Using Tracking Data: Apply tracking data from live footage to 3D elements for seamless integration.
- Adjusting Lighting and Colors: Match the lighting and color grading of 3D elements to the live footage.
Matching Movements and Angles To achieve realistic integration:
- Analyze Live Footage: Study the movements and angles in the live footage.
- Animate 3D Elements: Animate 3D elements to follow the same paths and rotations.
- Use Perspective Tools: Utilize perspective tools in After Effects to align 3D elements with the scene.
Ensuring Seamless Integration Ensure seamless integration by:
- Blending Layers: Use blending modes and opacity settings to blend 3D elements with live footage.
- Applying Motion Blur: Add motion blur to 3D elements to match the natural motion blur in the live footage.
- Refining Edges: Use masks and mattes to refine the edges of 3D elements, making them appear part of the scene.
10. Rendering and Exporting Your Project
Best Practices for Rendering To render your project effectively:
- Choose the Right Settings: Select appropriate render settings based on the project's requirements.
- Use Render Queue: Add compositions to the render queue and configure output settings.
- Monitor Progress: Keep an eye on the render process to catch any issues early.
Export Settings for Different Platforms Export your project with settings optimized for different platforms:
- YouTube and Vimeo: Use H.264 codec for high-quality video with small file size.
- Broadcast: Use uncompressed formats for maximum quality.
- Social Media: Adjust resolution and bitrate to meet platform requirements.
Troubleshooting Common Issues Common rendering issues include:
- Long Render Times: Optimize compositions and reduce resolution if needed.
- Artifacts and Glitches: Check for corrupted files or incompatible plugins.
- Audio Sync Issues: Ensure audio settings match the composition settings.
11. Tips and Tricks for Efficient Editing
Time-Saving Techniques Save time with these techniques:
- Use Presets: Apply preset effects and animations to streamline the process.
- Organize Assets: Keep your project files organized for easy access.
- Keyboard Shortcuts: Learn and use keyboard shortcuts for faster editing.
Common Pitfalls to Avoid Avoid these common pitfalls:
- Overcomplicating Edits: Keep your edits simple and focused.
- Ignoring Audio: Pay attention to audio quality and synchronization.
- Skipping Previews: Always preview your edits before finalizing.
Enhancing Workflow Efficiency Enhance your workflow efficiency by:
- Creating Templates: Use templates for recurring elements like titles and lower thirds.
- Batch Processing: Process multiple files simultaneously with batch rendering.
- Collaborating with Teams: Use shared project files and cloud storage for team collaboration.
12. Personal Stories and Experiences
Testimonials from Professional Editors Hear from professional editors who have mastered Magnates Media's editing style. Their testimonials highlight the impact of 3D camera motion on their projects and how it has transformed their editing process.
Case Studies of Successful Projects Explore case studies of successful projects that utilized 3D camera motion. These real-world examples showcase the techniques discussed and demonstrate their effectiveness in various scenarios.
Lessons Learned from Magnates Media Learn valuable lessons from Magnates Media's journey. Discover how they overcame challenges, innovated their editing process, and continuously improved their craft.
13. Expert Insights and Advice
Tips from Industry Professionals Get expert insights and advice from industry professionals. Learn their tips for mastering 3D camera motion, optimizing workflow, and staying ahead of editing trends.
Common Mistakes and How to Avoid Them Identify common mistakes made by editors and how to avoid them. From technical errors to creative missteps, this section provides practical advice for improving your editing skills.
Future Trends in Documentary Editing Stay informed about future trends in documentary editing. Discover emerging technologies, new techniques, and evolving styles that will shape the industry in the coming years.
14. Conclusion
Summary of Key Points Summarize the key points discussed in the article, highlighting the importance of 3D camera motion and Magnates Media's editing style.
Encouragement to Practice and Experiment Encourage readers to practice and experiment with the techniques learned. Emphasize the value of continuous learning and creative exploration.
Final Thoughts and Call to Action Conclude with final thoughts and a call to action. Encourage readers to apply the knowledge gained, share their work, and continue honing their skills.
In this video we will learn how to edit documentary videos like Manet s Media
We will recreate this scene from Mangets Media P T Barnum was one of the richest and most famous men in America and then in a matter of weeks he lost everything
P T Barnum was one of the richest and most famous men in America and then in a matter of weeks he lost everything
Music P T Barnum was one of the richest and most famous men in America and then in a matter of weeks he lost everything
For this we will use adobe after effects
You can download all the assets used in this tutorial. the link will be in the description If you need any support related to video editing you can join our Telegram Group.
find it in the assets folder But if you still want to know what prompt I used comment in the comment section and I will give you the prompt
After doing this I downloaded it and scaled it up a bit and then I brought it
replaced Saklain Khan s face with it So I will show you that as well You can see this was the original image and I added Saklain Khan s face to it which is quite simple
Let me show you how you can separate the subject and the background I have explained this in previous tutorials as well so you can check those out
If you have the latest version you can select the subject See our subject is selected Now we need to check if there are any issues with the selection
If there are we will use the quick selection tool to paint over the selection
Make sure there are no issues Once done press Ctrl J or Command J to duplicate the subject layer Rename it as Subject or Saklain Khan
Now we need to fix the background Unlock the background layer and use the lasso tool to draw a rough selection around the subject
Press Shift Backspace to open the fill option choose Content Aware and press OK This will remove the subject from the background
Now turn on all the layers and we are done
given us a very good result Now we will simply turn everything on and change it from BG to Background for easy identification
Check the ICC profile and save it Then we will take it to After Effects and work on it there
Alright we saved the PSD file with Saklain Khan s face Let s bring it into After Effects
In After Effects as soon as we drop it here you will get an option asking what to do Choose Composition Retain Layer Styles and Editable Layers Make sure not to merge otherwise separating the background and subject will be pointless Click OK
Now drag it into your main composition I had already created a composition It is quite large so right click go to Transform and
fit to comp As soon as we do fit to comp it will become small
Now we will animate this scene For that we will double click inside this comp and it will open in a new window
Here it is Now what we need to do first is to animate its hands a bit For that we will use the Puppet Pin Tool
First we will go to two seconds and after reaching two seconds we will make sure to select Saklain Khan i e the subject and then take the Puppet Pin Tool
Place one pin on the face one on the neck one on the shoulder and so on to ensure the body doesn t move
Now we will drag it to the starting position We will straighten it move it down a bit and do the same for the other parts
The hand will stay straight and then move up Adjust the neck slightly as well
When we play it it will look something like this It looks quite amazing
Now we need to animate it throughout the seconds We have only created two points so far
The easiest way is to select this layer and press U It will show all the keyframes
Select all the keyframes copy them with Ctrl C move the playhead to four seconds and paste them
When we play it the animation will look like this If we want we can manually select and copy these keyframes
paste it Alternatively there s another professional method but it doesn t always work Let s try it anyway
For this you will see two pins where we animated the puppet At the start if there s nothing in the pin it means we didn t animate it
First go to the position keyframe Press Alt and click on the stopwatch to open the expression editor
Type loopOut and press Enter This will loop the animation Copy this expression and check if it works by playing it
If it looks good we can use this method Otherwise we will use the manual method
So far it s working The hand is moving because we looped only the hand animation
You can create variations like this Now apply the same expression to the other pins
Go to the position press Alt click on the stopwatch and paste the expression
paste the loopOut expression we copied earlier Do the same for the lower pins
Let s move to the lower pins I think this is the one Paste it here as well
Now select all the keyframes and press F to make them easy ease This will make the animation smoother
Let s play it to see if it works correctly Yes it looks very good and smooth
Make sure to keep a second gap If you keep a second gap it won t look cinematic
I ll show you by reducing the gap Select all the keyframes press Alt and drag to reduce the time
Now let s play it It doesn t look as good because it s too fast Cinematic movements are usually slow
Let s expand it back to seconds Select all the keyframes press Alt and drag to expand
Now it looks amazing We have successfully animated the still image into an animated one
Next we will work on the background and convert it to D to add more spice to the scene
Click on the D icon for both layers including the background
Select Two View from the view options to see the interface
Make sure the layers are selected You will see blue corners if they are selected
Select Top View and Active Camera to see the layers positions
Select the background layer and drag it to the end
Then select the subject and move it slightly forward
Now the background is separated and the subject is in the front
switch to one view Now fit it to the screen
You might see some black bars indicating that the background is a bit small We need to scale the background
Select the background and scale it If you re using the latest version press S to open the scale properties and adjust from there
Scale it like this We will keep the subject a bit small as required for our main scene
Select Saklain Khan make him smaller and move him down a bit using the selection tool
This looks good Let s play it to see how it looks
Now let s spice it up by adding dust particles and fire particles You can find these in the assets folder
drop it between the two layers Add some dust and fire particles
Drop the fire particles on top They should appear now
If they don t show up it s because the default view is set to front view Press F or F to switch to active camera view
Now you should see the particles To remove the black background change the mode
If you can t see the mode click to expand it
Now we can see the real picture The background is small so we need to scale it again
Let s play it to see how it looks It looks amazing but we need to scale the background a bit more
Let s spice it up Move the playhead to the start add a keyframe to the scale and scale it up over or seconds
This will add motion to the background making it look better
Now let s add something between the background and Saklain Khan
smoke I have a smoke file here Let s drop it between the two layers
As you can see the smoke appears but it has a black background We need to remove it
Select the layer blend mode and change it to Add or Screen
Now the smoke appears behind the subject It looks a bit overpowering so let s reduce the opacity
You can press T to adjust the opacity In many things have become easier
Let s make it smaller The smoke layer is only seconds long so we need to extend it
Press Ctrl D to duplicate it then drag it to extend Cut the beginning if needed
our composition isn t that long but it s fine for now The opacity seems a bit high so I ll reduce it
Let s reduce the opacity of this layer as well to around If we play it now it looks amazing
Let s close this and move to the main composition where we ll add curtains and composite the rest of the scene
In the main composition we have the Saklain Khan layer Now let s form the rest of the scene
First we ll add fairy lights I ll drop them here
Next we ll add curtains I ll provide these assets in the assets file
These curtains have their background removed As they open they ll reveal the scene
Now we ll add the crowd You can find the crowd assets in the assets folder
Let s place the crowd at the top and move them slightly down Now let s form our scene
convert all these layers to D Go to the corner and select Two View
Now arrange the layers in D space Select Saklain Khan s layer and move it to the end
Zoom in a bit to see clearly Move the Saklain Khan layer to the back
Next move the curtains layer slightly forward
Move the fairy lights to the front as well Duplicate the fairy lights layer and arrange them
Make a few duplicate copies and place them in front
Now move the crowd layer slightly forward so it s visible
Place one crowd layer in the front
first let s convert all these layers to D Go to the corner and select Two View
Now arrange the layers in D space Move the crowd layer in front of the curtain
Duplicate the crowd layer Ctrl D or Command D and drag it to the back
Move the playhead forward to see the scene Adjust the position and flip it for variations
Right click select Transform and choose Flip Horizontal
Duplicate the layer again and move it forward The scene is almost set up now
The subject Saklain Khan looks small but we ll fix that Switch to single view
Select the crowd layer and add variations The closer the crowd the brighter it will be
Press Ctrl Space to open the effects console and search for Tint
Apply the tint effect and choose an orange color Make it less saturated for a bright look
Copy the effect and paste it on another layer Adjust the color for variations
Right click select Transform and choose Flip Horizontal for variation
Adjust the position and size for a varied look
scale it down a bit and place it somewhere to make the crowd look different
For the front layer let s make it black Change the white to black
Now the scene will look like this Next we need to add a camera and animate its position
In the next section we ll animate the camera movements See you in the next section
Right click and select a camera Make sure it s a mm preset
Right click on the camera select Create Orbit Null to control the camera
Switch to Two View again Adjust the fairy lights position and scale
Now open the camera transform settings and add keyframes for Point of Interest and Position
Move the camera back by adjusting the X position
Move it back to the desired position
scale it down a bit and place it somewhere to make the crowd look different
For the front layer let s make it black Change the white to black
Now the scene will look like this Next we need to add a camera and animate its position
In the next section we ll animate the camera movements See you in the next section
Right click and select a camera Make sure it s a mm preset
Right click on the camera select Create Orbit Null to control the camera
Switch to Two View again Adjust the fairy lights position and scale
Now open the camera transform settings and add keyframes for Point of Interest and Position
Move the camera back by adjusting the X position
Move it back to the desired position
this is our camera and these are our layers Let s move it a bit forward
Now we need to scale these elements because there are black bars on both sides which don t look good
Select the curtain layer and scale it to fit the scene
Do the same for the crowd layers scaling them to fit the scene
Lastly scale the Saklain Khan layer to fit the scene
Now go back to the camera and adjust the point of interest and position
Move the playhead forward to where the curtain opens and the scene should be visible
Move the Saklain Khan layer back in time to match the curtain opening
Move it to around seconds and animate the camera to move inside
Play it back to see the show The camera will zoom in on the face after seconds
Move the camera a bit more and adjust the position
Select all keyframes and press F to ease them Adjust the graph for a smooth bounce
Play it back in single view to see the result
It seems Saklain Khan appears suddenly which doesn t look good Adjust the timing
Move the curtain opening back by seconds and play it back
It looks better now but the crowd is overpowering Adjust the position
Fit the silhouette layers to the scene
Select all three and move them back After moving back let s keep the position here and press P to add a keyframe for the position
A keyframe will be added to the position of all three When the scene opens let s say here drag the Y position down
Move the center position down a bit Alright now it looks zoomed in which I don t like
So after the curtains open select Saklain Khan and press S to open the scale properties
Add a keyframe for the scale After the scene opens around seconds scale it down
Make sure there are no black bars in the scene Adjust the crowd colors if needed
Add a yellow tint to the crowd Select the tint and adjust the color
Similarly adjust the color of the gray crowd to a darker red
Play it back to see the scene The fairy lights should disappear after the start
Fix the fairy lights position Select all three press P for position and add a keyframe at seconds
Move the playhead to around seconds and adjust the position
and we ll reset the Z value Let s set the Z value to the negative side so it disappears See it s gone
Now our scene is open and it looks like this We need to add one more thing
We ll add some darkness at the start so it opens from complete darkness
For that we ll create a solid Right click select New and choose Solid
Make sure the color is black and press OK Place it at the top and rename it to Vignette
Now we need to add a mask Go to the top and select the Ellipse Tool to draw a small mask
The mask properties will open automatically Select Invert to make everything black
Increase the mask feather to soften the edges Add a keyframe for Mask Expansion
Move the playhead to where the curtain opens around seconds and increase the Mask Expansion
This will create an opening effect The fairy lights should be visible in the dark
Select both keyframes and press F to ease them Now let s adjust the fairy lights
Need to improvise so come on let s
Fix
See now that we play it
See who we are in the beginning
There is a V NIT effect that is being open
From the dark he does not look a little good
He looks professional so this
Look exactly the round circle looks so
If you fix it here will come Vinet
In the layer and here will press m
So the mask will be open and look at here
Once you open it the mask feather
We will have the option to increase this feather
I ll watch the preview from here
Wherever we go
It would be nice if we could go into it
So now we made so much we made around
And now let s play and see now
A little bit and I feel that in it
Roundness looks more so to the feather and
And then again and now again
Play by watching
Yes now it looks quite good
Look as we play
So this is our Saqlain Khan in the starting
It looks great so we
Double click this layer
If you do it will open the composition and
See the rest of the things inside
They will turn them all off and only the subject
Keep it inside and all these layers
Select Control and press
We will copy them and now we will copy them from here
Will come back after your
Tutorial i e in main composition and
After coming here I will paste it
And add a little bit of them here by dragging them
I ll do something like this and now I ll do it again
Again their visibility and saklen Khan
A little bit we turn up in it and
After that we will see our
The rest of the layers will not see anything
No show no background show
We turned them off
We were here to fix it
Come back and all these layers
I will turn on the visibility icon here
By clicking on it it will become our and
After that we play and see
Something like this makes our scene look perfect now
Now once the background is selected
If this is the background it will come to this
And we have two frames on here
If u were planted you will Press Press
We will now show them we will delete them
Because now we are here anew
We will adjust this background so
After coming here let s see this
Let s scale down a little by the way
Transform and fit to by right clicking
Com can also fit to comp will do
See yes now it looks absolutely complete
And now we see it right now
Saklen will go inside the ear and this layer
Will select and press U then scale it
The properties will be open now both of these
We will also delete it here
The frame was added Now we will do it again
And I ll do it a little bit so that it
It is not so great to see the scene and
You ll adjust it down a bit
Something like this now closes it
And now we will work on the camera again
Then you will press it then you will press it
We re going to be the show now
This will go to the starting pay select
We will do it and then we will do it
Which is g value i e z value is it
We will adjust and turn the camera a little
Will take back something like this but if
It s more our lights she s cutting
So back then we ll do it right here
And now let s play and see yes
Now it looks small so look quite good
And this one will go to the frame and
Well after we came here we did next
And now we have a little bit of it
So that after coming here we will
The subject is zooming in on it O good
This was the frame of the Walla would delete it
There is no longer a demand for it
Now let s play and see
What kind of Scene Do you feel now
The movement was supposed to be coming in
Good now which is the frame of this drag it
We ll get a little back around
Seconds and a little bit further
Now a little bit we ll zoom in so that
Here pe aake abhi se focus Ho Zoom In ho ab
Let s see if we play them
And the duration of this frame is also a little
Let s reduce something like this see this
Something looks like this and a little bit more zoomed in
Kar le something like this yes now more good
Feel now let s play and see
And after coming from here zoom in right away
Music
I ll come here a little bit now and
After we come here again
Will zoom out with the help of G Value
Let s play now
Yes yes now our scene looks quite amazing
We have both of these now than before
Select the starting ones to the frame
And they will increase their speed
And drag this handle from here
If you do it then the first ones will do it
You will also drag it so that there is a fast speed
And give it Wood go slow and ye jo second
We ll keep it in the middle
So drag the first handle and do it here
Let s take something like this is okay and let s do it
Also adjust the last one a little
If you take it you will also hold the handle and
I ll drag a little bit here
Like this now we click back on the graph
We ll check back and check our composition
So you can see our now
The animation is quite perfect now smoke Wali which
Layers will select both and T
The opacity of the press will be visible and
Go back a little bit and here they are
Opacity pay Key Frame will add a little
Go ahead p m and here it is
We will reduce the Opacity a little
From B around hair let s on and one in
If it is at we will play now
See what our smoke is here a little
A little less so that it looks good enough
If our background will remain dark then our
The scene will look quite amazing and see it
You can come from here and here
But now smoke is quite visible and from here
After arrival its opacity is reduced
Which seems to be the amazing result now
Close them to the background as well
Turn off now select the background
Will come to opacity and
Here is where the opacity of smoke is reduced
It was going to go there and an opacity pay
And then back again as soon as
It s getting less there
To the frame play head and reduce its opacity
So we ll do a little bit of it
Dark sa ho jaay yes like this like this
It s happening here because here we add
The fire in which we are
Lost everything according to the script itself
So see you in the next
And now what is the fire
We ll drag it over here and drag it
I ll take a little where it is
Our opacity is getting down which we did
The Create Ki the something like this so here
But we have to keep it and a little bit of it
Black background to remove it
For its bland mode we will add it
The black background will be removed and now
We re still on top of it
Will fast box blur and its from here
Slightly increase the blur radius
Around you can chick and see
It looks pretty good right now
If you copy the duplicate then for that
Control d press Command D and let it down a little
We have to give it a little bit to this side
And right click here
And the flip will do the horizontal and after that
Correct position by slightly Smalling its size
I ll get it over here
And let s scale up a little bit
Like this so now it looks good now
I ll pick the other one right now
A little bit to the left right side we will bring
Something like this and now play by watching
So look it looks pretty amazing
But right now the fire is coming right away which is
Not looking good so we both fire
Not looking good so we both fire
I ll get it back and a little bit
If you press t it will bring
Opacity will be visible and here a key
Add the frames and the frames of these
Drag and move a little bit and
Its opacity in starting we set
I ll give you a to one transition from RO to RO to this one
Both of them will be selected
F will hit Easy and now see this
Absolutely smoothly gracefully that this Fed Hoke
Our fire is coming which is enough
Amazing sounds now let s try playing
Our scene looks very amazing
OK now let s do another thing now it s something
And there are fire particles we also drop them
We are here and we are here
Place it inside your scene and also its
The bland mode will change the add after that
And drag it a little over here
Where the fire is coming we wish
That s where the fire comes in
If the particles are a little more visible then this
Here s a little bit of it right now
We will have to reduce then press t on here
And its opacity from let s per one
Will add frames to the starting and
Here we will set zero so that gravely
Don t just come inside this scene
Yes look good now just another one
You have to work like
We put the opacity in its frame
If we reduce the value we will do it
Take less so that not too much over powered
Even is right
From
Yes good now we have this on we have tent effect
Will apply and map black color from here
We turn red and we turn white
Yellows but it s doing the effect right now
All our scenes but we wanted that
These only affect fire particles
But no problem let s see another
If we were inside it
Maybe it works for him
Swap colors and see that work too
Well then it looks good if won t
You can also try this butt
If you take the above tint effect
Let s cut from Control x and here
Right click and pre compose from here
Will and make sure move all able to a
Will press new composition and OK and now
On top of this we paste from the effect Control v
Will do and paste after Butt
Unfurnedly same result us here
I think it s doing everyone the same thing
Butt anyways it looks good enough we
Can go with it and its layer blot
We can see the mode by changing soft
Light here so that its effect
He is a little less so now to Saqlain Khan we
If you grade the color you will select it
Apply to this layer and to this
Effect lumetry color then lumetry color
And then we will be in it
Come to creatives and here we search
Look and browse here
You will find these looks inside the Asus folder
This was what I created the magnate media
Like his look will select him and
We ll open up and see this
Color grading is exactly the same
And this is how we copy the LaMetric colors
We ll get it from here and we ll get it done
I ll give you another background here too
And as well as we paste it
And here s to curtsey too
You will select and paste over it too
So now we have a very good look
I feel good here in the background
It looks a little bright so let s get to him
If you darken select the background
They will come down and up
Inside effects control will come in colors
And here after coming in here basic
From what it is it is
A little less than what we do
The background is it will darken and our
The scene will look quite amazing if you want a little
You can see the bit and adjust it
Look I liked the result path Banam
Vaz one of the richest and most famous men
In America and give in a matter of weeks itself
Lost everything you made of Maness media
But if you learn the technique
Some more such editing of manes media
Want to learn tricks that you
If you can create only in Preer pro
Watch this video if you
If you do not learn the trick then all is useless
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